Robert Hayes Kee,
Department of Polite Aesthetic Praxis
Greetings,
once again, dear readers. I write to you during this most leisured
time of the academic year. Without the assumption of the productivity
of the summer sabbatical, this really is our time to detach from our
academic trajectories. Its assumed commitments to one’s
consanguinity can be minimized and a fruitful period of unfocused
reading and praxis is possible. I have personally put my Nietzsche
back on the shelf and taken time to absorb some scientific and
dramaturgical literature. This shift in focus has been refreshing and
I recommend a similar approach to one’s reading over this time.
This
time of year is also thought to be the most polite, and the topic of
seasonal etiquette seems ever-present. The handling of gifts, their
exchange, and the overrun of one’s abode by the most peripheral
relations and their injudicious partnerings all stress the esthetic
praxis of one’s etiquette.
This
overwhelming output of etiquette and advice would seem to obviate the
need for my monthly missive, were the praxis put forth by these
dilettantes not so unforgivably and unremittingly awful. The typical
suggestion is for one to submerge one’s complaints to an ocean
floor of ressentiment with
comestible or alcoholic appeasement. This continued suggestion, to
make a camel of oneself, we know it is in error. We must always seek
to be children, or at least lions, in our outlook and actions. I
write to you today to buttress your efforts to maintain a strong
esthetic praxis in the face of the onslaught of distaste and
ressentiment that is the holiday season.
May
your new year be the most polite on record,
Robert
Hayes Kee
December
28
Atlanta, GA
I
tire of the regularity and inveterateness of evanid annulated
resolutions amongst my acquaintances. I feel this practice of
altering one’s life for a manufactured goal is disingenuous and
irrelative of the desires in one’s true will. I wish to mock
the failings of interlocutors as their resolve dissolves in the
coming year. May I do so politely, given the absurdity of the
enterprise?
With
the annulated resolution, we are dealing with a despicable enterprise
on its face. We enlightened ones have not made a constant compromise
of our lives, nor is our aesthetic praxis vulnerable to these
periodic and manufactured times of reckoning with the soul. There
seems to be nothing further from tasteful esthetic praxis than voice
of capitalism assuming the role of the superego to encourage
intolerance of one’s own body. This suffering of the soul of
the lumpen proletariat is a struggle more to be pitied than censured.
We
should emanate a grace and tolerance for those without either the
education or awareness to avoid this alienation from one’s
labors and body. We, dear readers, have our worn copies of Nietzsche,
Kierkegaard and Marx to help illuminate our periods of doubt and
questioning. It is with this opening onto a plain vista of thought
that we can recognize this event for what it truly is. This is
possibly one of the most irrational customs of western civilization.
Any
human being who resolves, because their habitat has imperceptibly
passed through roughly the same location in space-time, to upend
their life is a potential ally in the creation of a fresh world of
nonsense. Nothing could be more absurd than to commit to the standard
series of specialized and scheduled partial movements offered by the
gymnasium, and this step in the right direction should be praised. To
rearrange one’s schedule, don atrocious garb and repeat simple
gestures is usually the domain of the performance artist. Yet the
fact that a substantial section of the entire population becomes
performance artists annually goes unremarked. I could scarcely think
of a more delightful occurrence. Do nothing to impede this beautiful
transformation. Instead, we must seek to recognize and extend it.
The
audience of the gymnasium is a recognized necessity in motivating the
practitioners of regular exercise. I feel this myself. I swim
regularly at a local facility, and large amount of the joy of this
process is displaying the grace of my movement to my athletic
interlocutors. We must recognize this audience with all the
consciousness and sincerity of the audience of our own stage and
gallery work. We must recognize that every insincere workout has the
potential to transform into an act of tanztheater.
Recognize
the potential for artistic conversation in each over-specialized
motion your interlocutors will make from now until their standard
termination around the time of Lupercalia.
Help your interlocutors recognize the significance of this timing.
Training oneself and developing one’s physical presence in a
public gymnasium prepare one admirably for the Lupercalian rituals of
laughter and nudity instead of the standard midmonth fare of
sentiment and confectionary sugar. We could destroy two of the most
egregious moments of soul preprinted on our calendars with this
simple substitution.
My
routine esthetic praxis does not occur in a state of consistent
sobriety. I find a number of states useful in creating my work. Is it
rude for me to continue this praxis of enthused work amongst my
relations who do not?
To
maintain some of one’s domestic customs elsewhere is quite
desirable. I rarely trust my hosts, despite their prodigious acumen
and impeccable hospitality, to have the correct translations of
needed texts for the work of my stay. I bring these volumes with me
and quietly act as my own Prometheus. It is not at all unreasonable
to view one’s chemical intake in a similar fashion. This
missive you, dear readers, can only be written nocturnally and in an
enthused state. Take a great liberty in sating your own needs in this
area, dear reader.
Forgetting
is ‘a form of strong
health’ and ‘an
upholder of etiquette.’ We take these lines from the first page
of the second treatise. We must recognize and empower this faculty to
most prepare ourselves to be intensely present. To prepare one’s
present requires a strong faculty of forgetting. There is no reason
to overcomplicate this matter, readers. It is through psychoactive
ingestion that we are able to most easily forget a great deal and to
focus on the present with indefatigable focus. Go forth and stumble,
dear readers.
My
most recent Saturnalian family gatherings have revolved around the
actions and antics of the youngest members of my consanguinity. I
find this lack of adult conversation tiresome and infantilizing for
all its undignified participants and dread its recurrence. Am I rude
to attempt to steer our gatherings away from its focus on the minor
inanities of the unfledged?
I
can sympathize with your desire for intelligent adult conversation,
but I have never sought such a partner amongst my consanguinity. The
regularity of our interactions and the likelihood of my taste for
emphatic sentiment make this infertile ground to grow the fruit of
reason. One must only look to Will
to Power to see it
transition from infertile to hostile ground. I would sooner seek
financial advice from my barber as I would a debate partner in my
family.
I
advocate regularly that one seek to advance from the lion to the
child. This is not meant literally since I do not wish to infantilize
my audience, rather to bring all of us to our most powerful esthetic
praxes. But to reach this point, we must realize that deep human
emotion is founded on a wellspring of absurdity and contradiction.
Children
are the most unpredictable humans. Their lack of experience and
social training allow for a greater chance of bizarre action. I am
quite attracted to art that can be also described in that manner, and
thus see great potential in the actions of children (does the
parallel become too pronounced if it is spelled aktions?). Try to
find similar enjoyment in the your smallest and youngest
interlocutors. Guide their inquiries in the most amusing and bizarre
directions. All the other adult voices in their lives will advocate
on behalf of reason and respectability; feel no need to do likewise.